Forty-one years ago today, the play that revitalised Scottish theatre had its first theatrical performance in public at Aberdeen Arts Centre on 24 April 1973.(1) Above is the BBC’s Play for Today version – a fascinating mix of live performance and documentary that ends with moving sequences on the impact of oil in Aberdeen and interviews with Texan oilmen, roustabouts and young folk made homeless by the price of houses.
Having spoken at two public showings of the film in the past two years, it is remarkable how the key theme of the play – control of natural resources – remains as vital and relevant today as it did when the 7:84 theatre company toured Scotland in the 1970s.
An account of the play and its significance can be found at the National Library of Scotland’s website here and this academic article in International Journal of Scottish Theatre provides much more detailed analysis of the play. Here’s what theatre writer and director Davey Anderson said about the play.
“I saw the Cheviot on my honeymoon. It was October 1973, we’d got married in my home town, Rutherglen, and decided to take a road-movie holiday, hippies that we were …
“First stop Kyleakin, Skye. The gig – Kyleaking Village Hall. The Audience – the good people of Skye. The Performers – a bunch of folk who didn’t seem ready: five minutes to go and they were still setting costumes, tuning instruments and blethering with each other and the audience.
“Where were the curtains, the hushed reverence, the dinner jackets, the blue rinses?
“… That night in a community hall in Skye proved to me that theatre was far from dead, as I has assumed it to be.
“All the mince in the West End, where the actors couldn’t even be arsed acknowledging the presence of the audience was forgotten. Here was theatre that spoke to you about your life, the important things, the daft things, the things that give you joy and the things you can change. The company were startling in their energy, anarchic versatility and joyous commitment.”
Time for a revival?
(1) It was first performed at the What Kind of Scotland Conference in Edinburgh in April 1973. Thanks to Rob Gibson MSP for that clarification – he was at both performances. Another informant tells me of an earlier performance at a conference of the same name but held in Callendar Park College of Education.