Up the Resistance

Resistance: Photographic exhibition at National Galleries Scotland: Modern Art Gallery 2, Edinburgh, curated by Steve McQueen

Not long after this exhibition opened, Iran was bombed by the USA in contravention of international law. And closer to home, it has been stated that the Starmer Labour Government intends to make Palestine Action a proscribed organisation for spray painting a fighter plane at RAF Brize Norton. The paint used was red to symbolise the blood flowing in Gaza with more than 54,000 dead and still counting. Deeming an organisation involved in non-violent direct action a terrorist group while continuing to send weapons to Israel shows how important it is to resist the inhumanity of many of today’s world leaders.

An anti-fascist demonstrator is taken away under arrest after a mounted baton charge during the Battle of Cable Street, London, 4 October 1936, Eddie Worth © Associated Press/Alamy Stock Photo

This photographic exhibition is therefore incredibly timely. It was conceived and curated by Steve McQueen, the acclaimed artist and filmmaker. It aims not only to explore how many different acts of resistance have shaped life in the UK but also how the crucial role that photography has played in documenting and actually driving change over the last century. McQueen has sourced his material from various archives, libraries and image libraries. He has deliberately concentrated on moments captured before digital cameras became ubiquitous.

There are some well-known photographers represented such as John Deakin, Fay Goodwin, Edith Tudor-Hart, Vanley Burke, Paul Trevor, Humphrey Spender and Tish Murtha, among others. And in keeping with the nature and content of the exhibition itself, a solidarity price for attending will be put at £2 minimum (or what you can afford) on the first Monday of each month until the exhibition ends on 4 January, 2026.

There are over 200 photographs covering a century of activism, resistance and struggle. The photographs cover the radical suffrage movement in 1903 to the enormous anti-Iraq war protest in 2003. They also feature the Blind March of 1920, a landmark struggle for disability rights. There are also photographs that deal with environmental campaigns, the famous Hunger Marches of the 1930s, the fight against fascism too in the 30s and 40s, demonstrations against racism and demonstrations for gay rights and women’s liberation. And there are captured memories of the Aldermaston and Greenham Common campaigns against the siting of US nuclear weapons.

There are photos of workers in struggle and a common aspect in some of these photographs is the role played by the state in all these campaigns with the police arresting people on many of the demonstrations featured. Again, the timeous nature of this exhibition cannot be stressed enough as the British state seeks to criminalise protest itself today. 

Anti-racists gather to block route of National Front demonstration, New Cross Road, London, August 1977 Paul Trevor © Paul Trevor 2024

Steve McQueen has said of the exhibition – ‘Resistance explores how people have challenged the status quo – a mission that feels especially urgent in today’s political climate.’ To open the exhibition itself there was an introductory lecture given by Gary Younge, the author, broadcaster and Professor of Sociology at Manchester University.

His gave a powerfully uplifting and positive talk concerning our ‘perilous moment.’ It was interesting for the Scottish audience to know that Gary had once attended Heriot-Watt University in Edinburgh. At that time there were those in Scotland who saw racism as an English disease but Gary countered this well by telling of a demonstration he attended in Edinburgh for the racist murder of young Ahmed Sheikh. He also recalled running up Lothian Road away from racist thugs who were chasing him with baseball bats.

Younge spoke of Netanyahu and his crimes against humanity and invoked the name of Frederick Douglas who once said that if there is no struggle, then there is no progress. Power concedes nothing without a demand, he said. Younge is probably not aware that a wonderful mural to Douglas exists on Edinburgh’s Viewforth where the great man once stayed. 

He also mentioned Claudia Jones who first mooted the idea of a festival to counter racism against black people and to celebrate who they are. Jones, he said, could never have imagined that the Notting Hill Carnival would become the largest of its kind in the whole of Europe. Claudia Jones believed in the power of culture to create resistance in society and all the photographs in this exhibition imply a better world is always possible.

Younge spoke of the dreams we want to come true for our world and how these dreams have to be fought for to come to fruition. Where people are oppressed, he told his audience, ‘they will ultimately fight back.’ He mentioned CLR James who once said ‘you never know when it’s going to explode.’ History, of course, confirms this.

There was reference made to the British state’s ‘archaic and feudal practises at the heart of the body politic’ and suggested this was maybe why reform here has seemed preferable to revolution. Younge also mentioned three events that took place in 1981 at roughly the same time. The Republican prisoner Bobby Sands was elected MP for Fermanagh and South Tyrone after a deeply contested election in Northern Ireland, while there were riots going on in black communities across England as the march for jobs set off from Liverpool.

At the end of the century, Younge said, there were more people working in Indian restaurants in the UK than worked in the combined areas of coal, steel and shipbuilding. Clearly, only struggle and resistance can change this. In an inspiring lecture, he told us that so long as there is  ‘inequality, injustice and plunder in the world, there will always be oil on the ground waiting for a spark.’

Protesters against the construction of the Newbury bypass occupy trees to prevent their destruction, Berkshire, 1996. Andrew Testa © Andrew Testa

From a Scottish perspective, there were few photographs with a Scottish connection. There was one against the Iraq war and one on the Free Pollok campaign against the M77 motorway extension of the late 1990s. McQueen must have put his call out for photographs in London but the paucity of Scottish input in no way detracts from the superb collection on view, Indeed, the exhibition should imply a similar callout within Scotland for a similar kind of exhibition.

The lecture by Younge was a perfect fit for an exhibition that celebrates resistance, celebrates the coming together of people for just causes, for solidarity of all people regardless of their race, sexuality, gender, disability. The exhibition shows the importance of solidarity over all issues, shows the desire not to be divided and to be inspired enough to dream of a better world that has peace and justice at its heart.