Accounting for Trump and Trumpism

There is considerable open season for commentators on explaining the rise, fall and rise of Trump, particularly in the context of the result of the 2024 US election. Among the favourites are: that there has been a global reaction to sitting governments such that the inclinations of electors is to throw the rascals out; that competitor political parties such as the Democrats were particularly inept at pitching their appeal and subsequent strategy; that it’s all the fault of ‘globalisation’ whereby manual jobs are lost in, and have wound up in China. 

It would be foolish to reject or ignore these explanations, but they do tend to magnify the similarities of the Right globally and to wash out the particular local effects. Arguably, what did for Trump’s opponents were highly specific American factors. 

American ‘exceptionalism’: this phenomenon has a long and sound pedigree in academic analysis which, surprisingly, has figured little in accounts of the Trump phenomenon. Much of the argument historically focused on the failure of ‘class politics’ to emerge in the USA, and with it, strong forms of the welfare state in the post-war period. Concomitantly, the two-party system of Republicans versus Democrats, was deemed sufficiently analogous to European party competition to make it seem as if it was simply a version of European politics of the right and the left. 

While true to a degree, it fails to note that these are catch-all parties geared to peculiar American social and political conditions. These conditions were: first, that the US was, and is, a settler society, in which the ethnic division of labour figured prominently. Thus, ethnic groups settled in the US and were allocated, formally or informally, to particular places and occupational tasks: Scandinavian farmers in the mid-west; Irish as cheap labour in American cities; and so on. Each had their own sub-culture, stories to tell, connections into the local economy and politics, usually structured around patronage. 

Second, America is big; it’s a continent, one the US shares, often in ignorance, with Canada and Mexico. Its settlement history was driven by the need for the embryonic state to expand territorially, at the brutal expense of aboriginal peoples. Without wishing to sanitise their experience north of the 42nd parallel, consider how the US and Canada have treated its aboriginal peoples. Local states grew up in the US with strong attachments to local rights (for settlers) except where they required the central state to sort things out or fund developments such as land grants. Localism, then, ruled, and came into conflict, expressed most clearly in the Civil War, allied to different economies and social systems. The rest was history.

Some peoples suffered under both: black people, formerly slaves, were mistreated both under the plantation system, and then under capitalism, red in tooth and claw. This reinforced the ethnic division of labour, as incomers consoled themselves with the thought that at least they weren’t black, and hence not right at the bottom of the ethnic pile. There was always someone to look down upon, as well as up to, including the WASPs.

To be sure, the US was capitalist but in a curious American, ethnic, way. One of the reasons that a developed welfare state did not develop was, arguably, that there were always ethnics to do the jobs others wouldn’t do, be they Irish, Poles, Italians, and latterly Latinos and West Indians. It also meant that the stock of ‘poor whites’ provided not simply a reserve army of labour, but a core of strike-breakers and rednecks to keep uppity others, especially black people, in their place. Ethnics had their own support systems, whether in the form of churches, neighbourhoods and the job market: you got a job through the grapevine as often as not.

America, Populism and Oligarchic Populism

America is the home of populism as a political ideology. After all, it made the phrase ‘we, the people’, part of its foundation myth and narrative. Popular democracy morphed into populism as and when it was needed. One could always appeal to ‘the people’ without specifying who one meant in practice. 

Two unusual features derive from this: the right to bear arms, on the dubious grounds that it was written into the Constitution, and the history of the nation. Furthermore, despite (or perhaps because of) the right to worship one’s own God, there was no national or state religion. The way to handle diverse ethnicity was to allow folks to do their religious thing, which meant it became tangled up in ethnicity, rather than in state practice whereby the instruments of the state (Presbyterian in Scotland, and Anglican in England) could be useful instruments of socialisation and orthodoxy, massaged by what the state required of it. Worshipping one’s own version of God led to all sorts of aberrations and efflorescences, which the central state interfered with at its peril. Ethnicity was reinforced by religion, and by the money nexus, assuming one could raise the capital whereby churches resembled shopping malls. Thus it is that god and guns are central to American identities, where huge numbers affiliate to a church (over 60%), and about half own up to have a gun at home. 

On top of that, beliefs like the American Dream reinforced the practice and culture of being American. The fact that the post-war years were the epitome of the way of life underpinning this peculiar belief – it was never difficult to disprove the rags-to-riches story – meant that when the social and economic conditions which gave it credence ended (globalisation of jobs to China and elsewhere where labour was cheaper and unfree), there was a crisis waiting to happen. One couldn’t expect to have a better standard of living than one’s parents. The social mobility music stopped, unless, of course, one developed educational skills and took to well-paid non-manual work. For those left behind (coal miners in Virginia, manual workers in Pittsburgh (and the rust belt) the writing was on the wall. 

To be sure, the demise of manual work especially in manufacturing was not unique to the US – much of Europe suffered a similar fate. However, the period of American ‘greatness’ notably the period after World War Two for at least 30 to 50 years sustained the belief in practice. Suggesting, as one Trumpist claimed, that you’d have to go back to 1900 shows how vague and vacuous the ‘greatness’ notion is. Making America great again refers back to social, economic and cultural conditions of the post-war years which were unique, born out of US hegemony, and ironically, for a time when forms of a welfare state were more recognisable. 

It mattered little which party was in power: Eisenhower continued the policies of Roosevelt and Truman, at least at home, Kennedy, Johnson, even Nixon before he was disgraced, and only Reagan really broke the mould doing so in a genial way. The Bushes, père et fils, were WASPs with origins in the east-coast Ivy League (Yale). Clinton and Obama possibly saw the writing on the wall, but nothing quite prepared America for Trump. 

There is, however, another American peculiarity which plays its part: what passes for American hyper-reality, and its ‘dream factory’ quality. American ‘popular’ culture is global and hegemonic; everyone ‘knows’ it, and feel it is accessible to them. Its mediums are movies and television, as well as technocratic – computers and mobile phones are ‘American’, even where they are not. Twitter/X, Facebook etc are ubiquitous. 

All these are American creations, they up the ante. ‘National’ media are hollowed out; no wonder Trump avoided them, preferring those tailor-made to suit. They are highly susceptible to make and remake; producing ‘news’ which fits the bill. The rest is ‘fake’. Trump himself is a past-master at the performative arts; that’s how he got to be there, as the boss of The Apprentice, not as a successful businessman – at which he manifestly failed. His arts are performative, witness his handling of ‘speeches’ and rallies, being as rude as he liked, but always with that performative edge: ‘is he for real?’; entertaining, if you like that sort of thing.

Without suggesting cause and effect, his appeal to the marginal, the uneducated, and aspiring ethnics is understandable. They’ve seen him on TV – that’s real enough. Black people, arguably, were less taken in, given their history of historic oppression and narratives of their own, but those without such narratives, ‘being American’ was the appeal, especially as it carried promises of feeling ‘at home’, to belong aspirationally, being one of those ‘we people’. On the other hand, the educated and relatively affluent had no such hang-ups, and were not susceptible to the Trump appeal to anything like the same extent. Their stated dislike of Trumpery helped to reinforce his appeal to those not so endowed. And given the jobs available to the uneducated and ‘ethnics’ – transient, poorly paid and conditioned – the performative aspect of Trump had its attractions. 

The oligarchs of course were happy to play along because there was money and deregulation available for them in promissory notes. Old ‘Republican’ values of buck-making and low taxes had their part to play for them. What was not to like? The attraction of Trump to the great unwashed was easily borne; the medium to carry them along without buying into the promises on stilts. So for them making American ‘great’ again was not turning the clock back to the 1950s and the legacy of Rooseveltian democracy, but imagining greatness in a new way, because Trump had mobilised the romantic retrospect of a period in history which had never been. And if it took the theatricals of his over-the-top performances, so be it. If that’s what it takes. Everyone’s a winner. Oligarchic populism is only a contradiction on paper; indeed, history shows us that it is not an oxymoron. 

Finally: social scientists like me are always prone to explain events after they’ve happened. We’re not good at prediction. This may well be a one-off; after all, Trump cannot (can he?) stand again, unless the rules are changed (or he dies) [or unless he changes the rules – Ed]. But there could well be another one along in a minute, should the conditions allow. And much hangs on changes that will happen in the meantime, and make it easier for a Trump 2.0 to emerge. We should watch this space. 

 

Comments (35)

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  1. Justin Kenrick says:

    “This may well be a one-off; after all, Trump cannot (can he?) stand again, unless the rules are changed (or he dies) [or unless he changes the rules – Ed].”

    Yes, he’s quite clearly said he’ll change the rules. Not from one rule to another but from rules to none?

    1. John says:

      Justin – Trump has already shown that the legal system a constitution in USA is not fit for purpose. He didn’t accept he was defeated in 2020, tried to overthrow result and attempted to instigate a violent overthrow of government. on Jan 6th 2021. In any functioning democracy this should have debarred him from ever participating in democratic process again.
      I note that he is considering pardoning anyone convicted for the events of Jan 6th 2021 now. This is authoritarianism in action in full view in the elf proclaimed greatest democracy!

  2. John Learmonth says:

    The ‘great unwashed’ I.e working class people have more common sense than middle class ‘social scientists’ who invariably talk bollocks. This article been a prime example.

    1. Cultured Pleb. says:

      Rather! Old boy !

  3. Dennis Smith says:

    David McCrone is right to highlight the importance of American exceptionalism, a phenomenon recognised by Americans and non-Americans alike (and meaning very different things to different people).

    The US is by far the biggest and most successful settler state, which established its political independence two and half centuries ago. But in many ways it remains a cultural dependency. Most of the ideas that still shape American culture have deep European roots (not least Christianity itself). And many of the cultural treasures that fill American museums, theatres and concert halls are imports. One of the things that makes the US exceptional is the lack of any deep indigenous history it can call its own.

    As McCrone notes, the one sphere in which the US has achieved cultural dominance – the ‘dream factory’ – is in the virtual realms of celebrity culture and Big Tech where standards of truth and reality float off into the ether (or into some troll-ridden underworld).

    Among the key ideas imported from Europe, and enshrined in the US constitution, are Enlightenment notions of liberty, equality and progress. Not entirely without justice, the US could picture itself in the 19th and early 20th centuries as being at the vanguard of progress, political as well as material. Given widespread Enlightenment assumptions about the direction of progress, Americans could plausibly think ‘Where the US leads, the rest of the world must inevitably follow’.

    Except of course that American exceptionalism also says the reverse: ‘Since the US is exceptional, no other country can, or should, aspire to imitate the US’.

    This paradoxical exceptionalism has underlain US foreign policy since 1945. Since the US stands for universal human values (including human rights), other countries have an obligation to follow. Where other countries resist (sometime with apparent popular and democratic support), the US feels morally justified in using force to impose those values. Hence Vietnam, Chile, Iraq, Afghanistan – a long list of invasions (and debacles).

    The interesting thing about Trump is that he appears to have no conception of universal or public values of any sort – he represents pure egocentricity, untrammelled by truth, reality or empathy. However things pan out, Trump and Trumpism may change American exceptionalism in unrecognisable ways.

    1. Statan says:

      Exceptionalism is the cultural basis of almost every nation with few exceptions? And why does the author describe himself as a ‘social scientist’? That could be anything from an archaeologist to a linguist. Why did the author waste his life writing this tinpot history of the USA? And why did I waste my life reading it?

      1. All good questions, to which I would add: why are you here?

        1. Graeme Purves says:

          I have a theory about that.

      2. John says:

        Why do you waste everybody else’s time writing abuse on here?
        A good psychiatrist might provide you with an answer.

        1. Graeme Purves says:

          The relentless negativity and abuse is the point.

          1. John says:

            Graeme – I understand that but why is it the point?
            Is it purely to distract and disrupt because they don’t agree with subject or do they get some pleasure out of being negative and abusive?

          2. Graeme Purves says:

            I think disruption, distraction and an attempt to deflect and deter people from engaging positively with Bella articles. The objective appears entirely negative and malign. There is no discernible positive purpose to it. But there is more to my theory than that.

          3. I think you might be right. I normally veer towards leaving people alone even if they are obnoxious or consistently negative. Consensus is dull.

    2. Mike Parr says:

      “Among the key ideas imported from Europe, and enshrined in the US constitution, are Enlightenment notions of liberty, equality and progress.” You would do well to read “The Dawn of Everything” by Graeber & Wengrow which in an early chapter shows that equality as a concept only became understood in the 17th century, following contact with North American east-coast natives. Indeed, it would seem that the entire enlightenment project – has its roots in the attitudes, lives and organisations of native Americans. Given these realities, the sentence quoted thus need “re” in front of imported. The book is well worth a read.

      1. Dennis Smith says:

        Thanks, Mike. As it happens, I have read Graeber and Wengrow, and found it fascinating and infuriating in equal measure – certainly worth a read. They argue that Baron de la Hontan took key arguments from the Native American (Wendat) stateman Kandiaronk and published them in Europe in 1703 (attributed to a pseudonymous Indian), and that these arguments then became central to European Enlightenment ideas about progress and the ‘noble savage’. My own take on this is ‘Not proven’. It’s possible, but the evidence is fragmentary and conflicting. There’s an interesting article by Oliver Cussen in the current issue of the London Review of Books (21 November) which reaches much the same conclusion on Lahontan.

        In any case, I don’t think this is vital to the argument. It would be a wonderful irony if the ideas on liberty, equality and progress which are embedded in the US constitution actually originate in Native American thought. But the key point is that Trump is now busy exploding these ideas, and in doing so he may also explode established narratives about American exceptionalism.

  4. SleepingDog says:

    A summary which oddly omits the flora, fauna and fungi of the USA and confuses what is ‘America’. What happens to politics when the brains of your human population are poisoned by the effluent of the military-industrial complex? For example:
    https://chemtrust.org/news/americans-contaminated-water-pfas-model/
    The USA seems exceptional in its cultural denial of the concept of collective responsibility for public health, but in terms of environmental health and animal welfare, possibly even worse.

  5. florian albert says:

    Commentators who lean to the left have great problems with Trump. Like me, the view him as despicable. In particular, they are perplexed by the support he gets from groups and classes that the left sympathizes with. David McCrone’s article is a good example of this. Their explanations tend to be vague and, on occasion, patronizing. David McCrone refers to ‘uneducated’ ethnics. Most of these individuals will have attended school for over a decade. Does he mean they lack a degree ?

    Commentators on the right have more success in identifying the keys to Trump’s success.
    Andrew Sullivan described Trump as ‘unstable, unhinged, a man who violated the most basic norm of democracy – the peaceful transfer of power.’ He also explains that three specific policies turned voters away from the Democrats. (1) Many Americans no longer want to be the ‘world’s policeman.’ (2) They want immigration to be controlled by their government. (3) The are against what they regard as divisive social policies promoted aggressively the the Democrats.
    Christopher Caldwell makes the same point, describing the Democrats today as a coalition of the ‘woke and the wealthy’, two groups who do not have the interests of the working class in their sights.

    1. John says:

      FA – I am now playing trans bingo with you as you raise this issue in every post and are clearly obsessed with the issue of gender.
      I wonder what drives this obsession?

      1. florian albert says:

        Since I do not refer to the trans issue in my comment, is it not more accurate to say that you are playing fantasy trans bingo ?

        1. John says:

          FA – you regularly rant about trans issues.
          In your post you state ‘socially divisive issues’ Accept my apologies if you do not consider transgender reform as socially divisive.

          1. florian albert says:

            ‘you regularly rant about trans issues’

            I would say I occasionally comment about issues which interest me, including the trans issue.

    2. Frank Mahann says:

      Woke, the African-American English synonym for the General American English word awake, has since the 1930s or earlier been used to refer to awareness of social and political issues affecting African Americans, often in the construction stay woke.
      Now ‘Woke’ has degenerated into a pejorative cliché, primarily for the benefit of those who think that similar clichés, such as ‘virtue signalling’ and ‘politically correct’, contain too many letters.

      1. SleepingDog says:

        @Frank Mahann, and if woke means anything these days, it means ‘know your history’; and be aware of the lies, distortions, omissions and national myths that are often taught in its place.
        https://en.wikipedia.org/wiki/Lies_My_Teacher_Told_Me
        In philosophical terms, it is the precondition for rising up out of the Cave of Shadows. And it underpins many of the demands of the CARICOM Ten Point Plan for Reparatory Justice, for example.

        As Wikipedia says, the graphic novel Wake: The Hidden History of Women-Led Slave Revolts by Rebecca Hall and illustrated by Hugo Martínez uses ‘wake’ (in the title) in multiple senses:
        “wake up to historical realities, wake up to current day reality, the wake of a slave ship, and the wake or remembrance of the African people who lost their lives.”

  6. Douglas says:

    Diary entry on outbreak of the Secession War, 13/4/1861:

    “I had been to the opera in Fourteenth street that night, and after the performance was walking down Broadway, when I heard in the distance the loud cries of the newsboys, who came presently tearing and yelling up the street…I bought the extra and cross’d to the Metropolitan hotel… where the great lamps were still blazing and, with a crowd of others, who gather’d impromptu, read the news, which was evidently authentic… No remark was made by any of the crowd, which had increased to 30 or 40, but all stood a minute or two, I remember, before they dispres’d. I can almost see them there now, under the lamps at midnight again.”

    and, when working as a medical orderly during war…

    : “I go around from one case to another. I do not see that I do much good to these wounded and dying; but I cannot leave them. Once in a while some youngster holds on to me convulsively, and I do what I can for him; at any rate, stop with him and sit near him for hours, if he wishes it.” (31) And, “Then the camps of the wounded-O heavens, what a scene is this?- is this indeed humanity- these butchers’ shambles?… There they lie… in an open space in the woods, from 200 to 300 poor fellows-the groans and screams-the odor of blood, mixed with the fresh scent of the night, the grass, the trees-the slaughter-house! O well it is their mothers, their sisters cannot see them-cannot conceive and never conceiv’d those things.”

    These are the words of Walt Whitman in “Specimen Days”, the man who had revolutionized American letters – and world letters; Neruda kept a photo of Whitman on his writing desk – with “Leaves of Grass” just ten or so years before, a self-published book of poetry which turned him into a star…

    The best way of understanding a country is through its literature…

    1. SleepingDog says:

      @Douglas, your take is: “listen to the poets” !?! I mean, aside from it being the most lying literary form, aside from it being the preferred means to suck-up to power (or avoid its consequences), aside from its modern practitioners being the capitalist-consumerist advertising industry incarnate, aside from… oh whatever:
      https://en.wikipedia.org/wiki/Futurism
      Of course, like any successful parasite, poetry leeches off of science, historiography, social and environmental activism, philosophy etc all the while never quite putting an unequivocal stance on anything (or does it?)…

      1. Douglas says:

        I merely mean that to understand a country, you have to read its writers. They take you to the heart of things at once.

        As for poetry, it depends on the poet, but if you don’t like poetry, they usually leave lots of other stuff behind, like Whitman’s “Specimen Days”, which he described as ” a book of fragments”… His descriptions of life as an orderly during the Civil War is pretty hair-raising, with buckets of severed arms and legs, young men calling out for their mothers as they die, etc, etc…

        It was the first modern war I think, with over a million dead or wounded… Anyway, a country bitterly divided…then, and now… I don’t think Trump’s win is such a surprise…

        1. SleepingDog says:

          @Douglas, hmmm, but what about the voiceless (Viet Thanh Nguyen etc)?

          Professional poets are great about navel fluff, but if everyone is an artist?… How many artists backed Trump, after all? (please, no no true Scotsman fallacies…)

          1. Douglas says:

            How can you talk about poets as if there were just one kind?
            There are all kinds of poets, like there are all kinds of practitioners of any artistic endeavour…
            Fascists, communists, liberals, conservatives, nationalists and socialists… good, bad and indifferent..

          2. SleepingDog says:

            @Douglas, my point is generally about the applicability of poetry to politics, science, history, and like disciplines. I’ll give some examples.

            ‘Make American Great Again’, ‘One people, one nation, one leader’ and ‘Take Back Control’ are essentially poetic; while ‘Votes for Women’, ‘Save the Whale’ and ‘Stop the Genocide’ are not poetic, but rather objective political goals (that can be further unpacked or given supporting context).

            Religion, a way of misperceiving the world, is (typically) essentially underpinned by poetry, whether in popular hymns, texts or theology.

            Poetry doesn’t have to be systematic, can contain unresolved contradictions and ambiguities. This is dangerous enough in a political manifesto, probably moreso in many campaigns that are pushed through soundbites.

            Poetry is a form especially tuned to vanity in the creator and reader; it generally allows much projection which in turn acts as a mirror. This allows so many people with different worldviews to cohere behind a poetic political campaign, reading into what they want to see, which is generally feeling better about themselves on the evidence.

            Yet poetry is also divisive: you have your football chants, they have theirs. Some football chants can be extremely hateful, as we’ve heard (in translation) over in Amsterdam. Poetry isn’t dialogue, it doesn’t bridge gaps like other forms.

            Can you really understand a country by reading its writers? Just taking history, even leading historians have admitted they have failed as history writers to address issues of vast importance until the very recent past. Many, many stories and people are written out of history. And poetry, if it relates to events, often seems to follow the research of others, rather than break new ground (there are exceptions, but how accurate or comprehensive were the WW1 war poets anyway?). And who wants witness statements in verse, anyway?

            That is not to say you can understand a country by ignoring its writers. But it is bogus to assert that a function of poetry is truth-telling, as some have egregiously claimed. And when it comes to politics, the adage ‘campaign in poetry, govern in prose’ has some resemblance to fact. Though we have had recent governments-by-soundbite which attempted to govern in poetry too, with calamitous results.

          3. Douglas says:

            So, like Plato, you would expel the poets from the Republic?

            But language itself, is essentially poetic / metaphoric, we just are so used to it we forget… There is nothing in the word “tree” which actually relates it in any way to the reality of a tree in your garden, it’s just something we have become used to, a convention…

            The first great creative or poetic act was to name the things of the world… possibly the highest creative act carried out by humans in different languages all over the earth… then there are the actual metaphors and similies all languages are choc full of…

            I can’t see how you can criticize poets without that meaning you criticize language itself, and propose an alternative (mathematics is a kind of language for example, as is computer programming)…

            Unless someone were to come up with an alternative to language, the poets will remain in the Republic as far as I can see…

          4. SleepingDog says:

            @Douglas, you are correct in that this is an ancient beef, but Plato’s views on poetry in the service of the state are more ambivalent (and changed over lifetime) than the proposal to ban them from the ideal state (The Republic) suggests. And a great many poets serve modern consumer-capitalist corporations today, as well as staffing state propagandist roles.

            I think the move from organised religion as a foundation of the state towards secular global science is clearly a move away from poetry. My strong view is that we need a politics of Health, rather than a politics of Will. Will is far too prone to the kinds of mood manipulations and jingling tones of poetry (particularly in reductive acts of voting, say). Fear, anger, hope, joy… emotions that have their place, but not in the kinds of decisions we need to provide solutions to our global polycrisis, on behalf of non-human life (and future generations), and our complex, fragile societies.

            Poetry does not encapsulate all language, certainly not of mathematics. And a concern of various trends in philosophy is to clarify language, providing (and refining if need by) definitions for the duration of arguments. In fact, the origins of language are far more likely to be the objectively-useful classifications that such philosophical trends are based on, mediated by the shared values of the organism. And as primatologist Frans De Waal says, humans are not the only animal which lies to take advantage of this prior understood categorisation.

            Shakespeare’s Henry V may produce a very nice piece of poetry in “Once more unto the breach, dear friends” (which contains an immediate lie), but his assault on Harfleur is an act of extreme self-admitted terrorism:
            https://www.folger.edu/explore/shakespeares-works/henry-v/read/3/3/?q=pikes#line-3.3.1

            Of course the typical brevity and contortions of poetry tend to favour omission. Political slogans and soundbites are among the most boiled down forms, along with advertising jingles and hooligan chants. Which is why scholarly work tends towards attempting comprehensive (and in the case of global science at least, peer-reviewed) treatment. Whenever did you see a poet issue a correction or apology, or a poem fact-checked or recalled, or even genuine humility from a poet? Perhaps it happens on occasion, but poetic licence is surely one of the most commonly-abused forms of artistic licence, and thus a great favourite of politician-orators (and how many politicians are not orators?).

          5. Douglas says:

            I really don’t think you are talking about poetry so much as language and its many and undeniable pitfalls… too big a theme for a space like this…

            As for poets retracting work, WH Auden famously withdrew his 1937 poem called”Spain” and suppressed it as much as possible, which dealt with the Spanish Civil War where he worked as an ambulance driver. The poem has the infamous line “the necessary murder” which Auden later claimed he never believed in…

            There are plenty of examples of writers and poets later recanting and trying to suppress their own work, Borges tried to suppress much of his early stuff and RLS described a couple of his own novels as “mere tushery”…

            That’s just off the top of my head…

          6. SleepingDog says:

            @ Douglas, thanks for these examples of poetic recantation, although they sound more like career- and reputation-management (and embarrassment) than specifically trying to be more objectively truthful.

            I think the distinction I’m making is made clear in the first episode (from 1984, painfully Euro- and Christo-centric as it is) of Sea of Faith, largely covering Galileo Galilei and Blaise Pascal:
            https://www.bbc.co.uk/iplayer/episodes/m00256x4/the-sea-of-faith

            There are also formal applications, like propositional and predicate logic, that are designed to remove ambiguity from natural language and introduce repeatable patterns (templates); and proposals for constructing more rational languages. Also, I would suggest that aspects of poetry are harder to translate.

            Surely making policies based on global climate science is world away from voting on the basis of how an SUV advert makes you feel? Secular public health versus feelgood white Christian supremacism? Isn’t it our duty as citizens to become cognisant of the ways in which we are manipulated by our feelings? Which is, after all, the behavioural modification sought by surveillance capitalism, as Shoshana Zuboff argues, which has been used in microtargeting voters in recent political campaigns (through, I argue, poetry: “get Brexit done and unleash Britain’s potential” etc)?

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